On Water
- Roger Murphy
- Aug 7
- 4 min read
Updated: Aug 9

I
A single liquid orb in roundness bound
The retina accepts the image upside-down
All colour, shape, all line, all forms in sight
Encompass liquidity, expressed within
An image of the world, sky, sea and earth.
Perpetual change condensed into
A floating film – an aqueous humour.
Everything is surface to the eye and
Even the bubbling runnels seem to laugh
An inexhaustible tremulous display.
II
Depth changes the colours under the sheen,
Tiny waves, drawn by current, catch the wind
Like miniature sails. Skittering water finds a purpose
Reversing, turning upon its head.
I feel water’s deeps press down upon my form.
A drift slanting my lifeless body across the flow.
III
Black penned, disturbed with darkened water
Thick glass reflecting a surface sliding –
Flat, curved or reticulated descending slaughter
Defies the depth – colour is riding
Down darkened like an ink-dropper droplet sinks
Tells that death is foreshadowed, foretold
In the deep declivities of silt beneath
Everything has life and death in water
Our coming, our being, our sacraments
Our end. Holy water splashing on the coffin lid.
IV
I have bathed in the river, washed my head
Beneath the flow on the Isle Barbe
A refuge from normality.
Then taking the wine bottle by the neck
Re-visiting our moment on the prow of the Isle de la Cité
Plastic cap picked off to suck down a rasping
Vinegar. Vin de table splashing over my lips and chin
Hardly room for my feet above the flow
Of the Saône.
V
Turning within itself, current reaches
Up and plunges down.
VI
Boys diving off the pier at Clogherhead
Sporting, flirting with the savage rocks
That tear the flesh and break their legs beneath.
Not far away the sacred head ensconced
In Drogheda looks out from emptiness
Nothing sees or knows or wants to know
“I’d say he could have a woeful thairst on him,
And badly needs a slaking pint. Or two.
It’s mostly water, you know, like rain is.”
VII
We know the sadness and the sorrow,
We see the tears
As Jesus wept over Jerusalem
And when he learned of Lazarus’s death.
Compassion flowed
Vulnerable and humble.
VIII
Lacrimal glands seer our cheeks.
The proteins, lipids and mucins.
His too. Salty fluid evaporates on the skin.
Sodium electrolytes, chloride, potassium,
Calcium and magnesium.
IX
I have to wash before I go to Mass
Wash in the cool water of Vaulx-Milieu.
Dabble in a nearby lake.
Wash away my pettifogging imbecilities
My peccadillos which I have to ask be washed
Away by The Great Sinner who washed away
All our sins. Who took our sins before and
Ahead unto himself.
Abluted now in the cool after-rain descent.
I have washed clean my body, which is
Washed clean before I start by The Great Sinner.
X
A huge confession of desire. Those nuns
In their fastness, spending years
On their knees in different parts of the world
A tragic order struggling through meaning
Wanting it to have the purity they seek
In themselves, knowing it can never be.
Seeking a certainty they cannot ever achieve
Because they know themselves.
They seem as far from the benediction of water
As their desert brothers are.
And up the hill, the Carthusians assay
Life in their cells. Each a single assay
Of themselves as a part of Christ. Remaining true
Across life and outside it, and beyond it.
Taking part in it but secretly and working, working
In individual relation to life, the world and God.
All their lives. Unto death and beyond.
Here, there is an outside and an inside.
Outside their entrance way,
there is a tap for those who thirst.
But it is non potable we are warned.
What is the water inside then?
They intend their lives to be like water. Flowing
Everywhere they are. A tsunami. An ebb tide. A lee shore.
A wide Sargasso sea. The Gyre of life. The Gybe of death. An expression of God’s will.
Further up the hill, Alpine waterfalls: the Cascade des Dioux. [d’you]
XI
I want to encompass the seas and make up
The fragile fluid entity.
I am the lapping waves
Slapping against the clinker-built hull
I am the endless lagoon of
Purple echoing the sky
The passage of purple clouds
Among the greenwood trees
I am a pen gliding over a
Smooth immaculate substrate
No tooth, no texture.
I am a brush loaded with watercolour colouring a ground
And filling the eye.
I am a sun-filled portion
Seen through my fingers.
I am the earth absorbing all
The angles of my back.
I am alive and I am dead
Uttering the endless breath
And laughing within the sight of water.
XII
Do I hear a lilting benediction
In the echoes in a park?
Do I feel a shiver in the cool evening air?
Can I sense my rest in you
Enveloping each other in the sun
Breathing deep in my ear?
Do I feel your heart’s murmur
Under my hand?
Do you hear
Do you hear
Do you hear my heart next to yours?
A complex paradiddle of cross-rhythms – sometimes consonant
Sometimes arrhythmic. Syncopated syncope.
I am a beating heart.
I am alive.
XIII
And shall I drag my feet once more to Mass?
The water and the wine.
Witness once again the drama of the tabernacle?
I could not look inside – for Christ was there –
Too great, too big a thing to contemplate or see
Too full of meaning –
The whole world
Inside a cupboard.
The endless love.
Perfection.
Kept under lock and key
There permanently.
Too glorious to see.
Too glorious to know.
I avert my eyes.
Either the Ancients did not understand.
Or understood too well.
Is it perhaps Pandora’s box?
Was Hope trapped inside and never released into the world
Or was Hope too released, when all else had ravaged the world.
Is this the essential sacrament?
The tabernacle contains Hope.
And I know
I know
I do not know
XIV
Everything dissolves in water or is reflected in it,
Everything is carried in water or floats on it.
Even for poets where these ten syllables are our epitaph
As they were his, self-written:
“Here lies one whose name was writ in water.”